Showing posts with label Rock and Roll Hall of Fame. Show all posts
Showing posts with label Rock and Roll Hall of Fame. Show all posts

Monday, October 1, 2007

Madonna nominated for 'Rock and Roll Hall of Fame' honour

London, September 29 (ANI): Pop diva Madonna, hip-hop band 'Beastie Boys', and 'Queen of Disco' Donna Summer are among stars who have been nominated for induction into the US 'Rock and Roll Hall of Fame'.

Also among the contenders are Leonard Cohen, John Mellencamp, Chic, the Dave Clark Five and Afrika Bambaataa.

According to the Billboard magazine, the nominees selected by a committee will be whittled down to a final list of five by more than 600 music experts, who will enter the hall in March.

Musician can be considered for the honour of being inducted into the Cleaveland-based hall only 25 years after their first recording, reports the BBC.

Last year, the honour of being inducted into the hall was conferred on rock band R.E.M., hip-hop star Grandmaster Flash and the Furious Five, Van Halen, the Ronettes and Patti Smith.

The artists included in the hall are featured in the Museum's Hall of Fame exhibit, which includes a computerised jukebox containing every song of every inductee and a film on three big screens recounting their careers and music. (ANI)

Source: in.movies.yahoo.com

The Beatles : 1957–1960: Formation

In March 1957, while attending Quarry Bank Grammar School in Liverpool, John Lennon formed a skiffle group called The Quarrymen. Lennon and the Quarrymen met guitarist Paul McCartney at the Woolton Garden Fête held at St. Peter's Church on 6 July 1957 and added him to the group a few days later. On 6 February 1958, the young guitarist George Harrison was invited to watch the group (who played under a variety of names) at Wilson Hall, Garston, Liverpool. McCartney had become acquainted with Harrison on the morning school bus ride to the Liverpool Institute, as they both lived in Speke. At McCartney's insistence, Harrison joined the Quarrymen as lead guitarist after a rehearsal in March 1958, overcoming Lennon's initial reluctance because of Harrison's young age. Members continually joined and left the lineup during that period, and in January 1960 Lennon's art school friend Stuart Sutcliffe joined on bass. Lennon and McCartney both played rhythm guitar and the group had a high turnover of drummers.

The Quarrymen went through a progression of names — "Johnny and the Moondogs", "Long John and the Beatles", "the Silver Beetles" (derived from Larry Parnes' suggestion of "Long John and the Silver Beetles") — before settling on "The Beatles" in August 1960. There are many theories as to the origin of the name and its unusual spelling. It is usually credited to Lennon, who said that the name was a combination word-play on the insect beetles (as a reference to Buddy Holly's band, The Crickets) and the word beat. Cynthia Lennon suggests that Lennon came up with the name Beatles at a "brainstorming session over a beer-soaked table in the Renshaw Hall bar." Lennon, who was well known for giving multiple versions of the same story, joked in a 1961 Mersey Beat magazine article that "It came in a vision – a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an A'". During an interview in 2001, Paul McCartney took credit for the peculiar spelling of the name, saying that "John had the idea of calling us the Beetles, I said, 'how about the Beatles; you know, like the beat of the drum?' At the time, everyone was stoned enough to find it hilarious. It's funny how history is made."

In May 1960, the Silver Beetles toured northeast Scotland as a back-up band with singer Johnny Gentle. They met Gentle an hour before their first gig, and McCartney referred to the tour as a great experience for the band. For the tour the often drummerless group secured the services of Tommy Moore, who was considerably older than the others. Soon after the tour, however, feeling the age gap was too great, Moore left the band and went back to work in a bottling factory as a forklift truck driver. Norman Chapman was the band's next drummer, but was called up for National Service a few weeks later. His departure posed a significant problem as the group's unofficial manager, Allan Williams, had arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany.

Read more

The Beatles

The Beatles were an English musical group from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are one of the most commercially successful and critically acclaimed bands in the history of popular music.

The Beatles are the best-selling musical act of all time in the United States of America, according to the Recording Industry Association of America. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one. This commercial success was repeated in many other countries: their record company, EMI, estimated that by 1985 they had sold over one billion discs and tapes worldwide. In 2004, Rolling Stone magazine ranked The Beatles #1 on its list of 100 Greatest Artists of All Time. Their innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today.

The Beatles led the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s.

Read more

Artists represented the most number of times

The artists represented the most number of times on the list are:

The Beatles
Elvis Presley
The Rolling Stones
The Beach Boys
Eric Clapton
Bob Dylan
Led Zeppelin
Michael Jackson
Robert Johnson
Bob Marley
Muddy Waters
Stevie Wonder
Neil Young
Chuck Berry
David Bowie
James Brown
The Byrds
Ray Charles
Sam Cooke
Creedence Clearwater Revival
The Drifters
Aretha Franklin
Marvin Gaye
Woody Guthrie
Jimi Hendrix
Howlin' Wolf
The Kinks
John Lennon
Lou Reed
The Miracles
Van Morrison
Pink Floyd
Otis Redding
Little Richard
Paul Simon
Bruce Springsteen
The Temptations
U2
The Who

The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll

The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll is an unordered list of 500 songs, created by the Rock and Roll Hall of Fame, that they believe have been most influential in shaping the course of rock and roll, though some of them belong to different styles even after the consolidation of rock music (like some 1980s and 1990s rap songs). It was organized by Hall of Fame museum curator James Henke who, according to the hall, "compiled the list with input from the museum’s curatorial staff and numerous rock critics and music experts." The list is part of a permanent exhibit at the museum, and was envisioned as part of the museum from its opening in 1995. The list contains songs from the 1920s through the 1990s.

read more

Rock and Roll Hall of Fame

The Rock and Roll Hall of Fame and Museum is a museum in Cleveland, Ohio, United States, dedicated to recording the history of some of the best-known and most influential artists, producers, and other people who have in some major way influenced the music industry, particularly in the area of rock and roll.

Hall of Fame
A handful of artists are inducted into the Hall of Fame in an annual induction ceremony in New York City. The first group of inductees, inducted on January 23, 1986, included Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, the Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard, and Elvis Presley.

Currently, groups or individuals are qualified for induction 25 years after the release of their first record. Nominees should have demonstrable influence and significance within the history of rock and roll. Four categories are recognized: Performers, Non-Performers, Early Influences, and since 2000, Sidemen.

Performers
Performers include singers and instrumentalists.
A nominating committee composed of music historians selects names for the Performers category, which are then voted on by roughly 1000 experts, including academics, journalists, producers, and others with music industry experience. Performers receiving the highest number of votes greater than 50% of the votes received are selected for induction; each year, about five to seven nominees make the cut.

Non-performers
Guitar sculptures outside the Rock Hall in 2004
Guitar sculptures outside the Rock Hall in 2004

Non-performers include songwriters, producers, disc jockeys, music industry executives, journalists, and other professionals.

Some notable non-performers inducted into the Hall of Fame include Sun Records founder,Sam Phillips, disc jockey and major promoter of rock and roll Alan Freed, Ronettes and Righteous Brothers producer Phil Spector, Beatles producer George Martin, Fender guitar founder Leo Fender, and Rolling Stone magazine founder and editor Jann Wenner.

Early influences
Early Influences includes artists from earlier eras, primarily country, folk, and blues, whose music inspired and influenced rock and roll artists. The most recent of this category to be inducted were Nat King Cole and Billie Holiday in 2000. Other notable artists that have been inducted as Early Influences include country musician Hank Williams, blues musician Howlin' Wolf, and jazz musician Louis Armstrong.

Sidemen
The Sidemen category includes veteran session and concert players who are selected by a large committee composed primarily of producers.

Foundation and museum


The Rock and Roll Hall of Fame Foundation was created in 1983. However, it had no home. The search committee considered several cities, including Memphis (home of Sun Studios and Stax Records), Cincinnati (home of King Records), New York, and Cleveland. Cleveland lobbied hard to be chosen, citing the facts that one-time Cleveland disc jockey Alan Freed is widely credited with promoting the new genre (and the term) of "rock and roll", and that Cleveland was the location of the first rock and roll concert. Civic leaders in Cleveland pledged $65 million in public money to fund the construction. A petition drive was signed by 600,000 fans favoring Cleveland over Memphis, and a USA Today poll which Cleveland won by 100,000 votes. The hall of fame board voted to build the museum in Cleveland.

Although there is some debate among music fans over why Cleveland ended up being chosen, most industry professionals agreed that it is because the city offered the best financial package. As Plain Dealer music critic Michael Norman noted, "It wasn't Alan Freed. It was $65 million... Cleveland wanted it here and put up the money."[1]

During early discussions on where to build the Hall of Fame and museum, the Foundation's board considered the Cuyahoga River. Ultimately, the chosen location was in downtown Cleveland by Lake Erie, just east of Cleveland Browns Stadium and the Great Lakes Science Center.

At a point in the planning phase when a financing gap existed, a proposal was made for the Rock Hall to be located in the then vacant May Company Building, but it was finally decided that Chinese architect, I. M. Pei, who is credited with such other projects as the Louvre Pyramid in Paris, France and the Bank of China Tower, would be commissioned to design a new building. Pei came up with the idea of a tower with a glass pyramid protruding from it. The museum tower was initially planned to stand 200ft high, but it had to be cut down to 162ft due to its proximity to Burke Lakefront Airport. The building's base is approximately 150,000 square feet. The groundbreaking ceremony was June 7, 1993, with Pete Townshend and Chuck Berry doing the honors. The museum opened on September 2, 1995, with the ribbon being cut by an ensemble that included Yoko Ono and Little Richard, among others.

The museum documents the entire history of rock and roll, regardless of induction status. Hall of Fame inductees are honored in a special exhibit inside the museum's spire.

There are seven levels in the building. The first through fifth levels feature many permanent and temporary exhibits documenting the history of rock and roll. Temporary exhibits display items that have only been borrowed for a short period of time, or they show films, such as 2007's temporary exhibit running George Harrison's Concert for Bangladesh. Some of the permanent exhibits include a history of audio technology, a section of mannequins donning outfits of famous performers past and present, and an area which looks at music scenes in various cities throughout different eras, including Memphis in the 50s, Detroit, Liverpool and San Francisco in the 60s, Los Angeles in the 70s, New York City and London in the 70s and 80s and Seattle in the 90s.

The third level is where the actual Hall of Fame is located and includes a wall with all of the inductees' signatures. The seventh and final level of the building is a temporary exhibit which features a certain group or artist for a period of time. It occupies the entire floor, which is the smallest since it is at the top of the pyramid. Some of the artists featured include Elvis Presley, The Who, John Lennon, U2, Bob Dylan, The Clash and The Supremes.

While the museum is located in Cleveland, the induction ceremony is held in New York City. This has been a source of controversy and signifies tension between the Foundation's commitment to a yearly showcase and the Hall of Fame itself.

A separate selection committee selects inductees directly in the Non-Performers and Early Influences category.

Criticism

The main criticism is that the nomination process is controlled by a few individuals, such as founder Jann Wenner, former foundation director Suzan Evans, and writer Dave Marsh, reflecting their tastes rather than the views of the rock world as a whole. A former member of the nominations board once said:

At one point Suzan Evans lamented the choices being made because there weren't enough big names that would sell tickets to the dinner. That was quickly remedied by dropping one of the doo-wop groups being considered in favor of a 'name' artist ... I saw how certain pioneering artists of the 50s and early 60s were shunned because there needed to be more name power on the list, resulting in 70s superstars getting in before the people who made it possible for them. Some of those pioneers still aren't in today — but Queen is.

Petitions with tens of thousands of signatures were also being ignored and some groups that were signed with certain labels or companies or were affiliated with various committee members have even been put up for nomination with no discussion at all.

Another criticism is that too many artists are inducted, allowing for several lesser acts to make it in. In fifteen years, 97 different artists have been inducted. A minimum of 50% of the vote is needed to be inducted, although the final percentages are not announced and a certain number of inductees (5 in 2007) is set before the ballots are shipped.

There are very few progressive rock bands in the hall, with Pink Floyd[4] being the only true progressive rock group inducted. This has been noted by the columnist John Sinkevics, who notes the genre has more fan backing than any other.
Letter sent to Rock and Roll Hall of Fame from the Sex Pistols
Letter sent to Rock and Roll Hall of Fame from the Sex Pistols

The Sex Pistols, inducted in 2006, refused to attend the ceremony, calling the museum a "piss stain."

2007 voting scandal allegations
On March 14, two days after the 2007 induction ceremony, Roger Friedman of FOX news published an article claiming that The Dave Clark Five should have been the fifth inductee, as they had more votes than inductee Grandmaster Flash and The Furious Five. The article went on to say "[Jann Wenner] used a technicality about the day votes were due in. In reality, The Dave Clark Five got six more votes than Grandmaster Flash. But he felt we couldn't go another year without a rap act."

The Rock & Roll Hall of Fame would later deny fixing the vote, although they didn't deny that late votes were received, saying, "No. There is a format and rules and procedure. There is a specific time when the votes have to be in, and then they are counted. The bands with the top five votes got in."

Source: wikipedia.org
Showing posts with label Rock and Roll Hall of Fame. Show all posts
Showing posts with label Rock and Roll Hall of Fame. Show all posts

Monday, October 1, 2007

Madonna nominated for 'Rock and Roll Hall of Fame' honour

London, September 29 (ANI): Pop diva Madonna, hip-hop band 'Beastie Boys', and 'Queen of Disco' Donna Summer are among stars who have been nominated for induction into the US 'Rock and Roll Hall of Fame'.

Also among the contenders are Leonard Cohen, John Mellencamp, Chic, the Dave Clark Five and Afrika Bambaataa.

According to the Billboard magazine, the nominees selected by a committee will be whittled down to a final list of five by more than 600 music experts, who will enter the hall in March.

Musician can be considered for the honour of being inducted into the Cleaveland-based hall only 25 years after their first recording, reports the BBC.

Last year, the honour of being inducted into the hall was conferred on rock band R.E.M., hip-hop star Grandmaster Flash and the Furious Five, Van Halen, the Ronettes and Patti Smith.

The artists included in the hall are featured in the Museum's Hall of Fame exhibit, which includes a computerised jukebox containing every song of every inductee and a film on three big screens recounting their careers and music. (ANI)

Source: in.movies.yahoo.com

The Beatles : 1957–1960: Formation

In March 1957, while attending Quarry Bank Grammar School in Liverpool, John Lennon formed a skiffle group called The Quarrymen. Lennon and the Quarrymen met guitarist Paul McCartney at the Woolton Garden Fête held at St. Peter's Church on 6 July 1957 and added him to the group a few days later. On 6 February 1958, the young guitarist George Harrison was invited to watch the group (who played under a variety of names) at Wilson Hall, Garston, Liverpool. McCartney had become acquainted with Harrison on the morning school bus ride to the Liverpool Institute, as they both lived in Speke. At McCartney's insistence, Harrison joined the Quarrymen as lead guitarist after a rehearsal in March 1958, overcoming Lennon's initial reluctance because of Harrison's young age. Members continually joined and left the lineup during that period, and in January 1960 Lennon's art school friend Stuart Sutcliffe joined on bass. Lennon and McCartney both played rhythm guitar and the group had a high turnover of drummers.

The Quarrymen went through a progression of names — "Johnny and the Moondogs", "Long John and the Beatles", "the Silver Beetles" (derived from Larry Parnes' suggestion of "Long John and the Silver Beetles") — before settling on "The Beatles" in August 1960. There are many theories as to the origin of the name and its unusual spelling. It is usually credited to Lennon, who said that the name was a combination word-play on the insect beetles (as a reference to Buddy Holly's band, The Crickets) and the word beat. Cynthia Lennon suggests that Lennon came up with the name Beatles at a "brainstorming session over a beer-soaked table in the Renshaw Hall bar." Lennon, who was well known for giving multiple versions of the same story, joked in a 1961 Mersey Beat magazine article that "It came in a vision – a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an A'". During an interview in 2001, Paul McCartney took credit for the peculiar spelling of the name, saying that "John had the idea of calling us the Beetles, I said, 'how about the Beatles; you know, like the beat of the drum?' At the time, everyone was stoned enough to find it hilarious. It's funny how history is made."

In May 1960, the Silver Beetles toured northeast Scotland as a back-up band with singer Johnny Gentle. They met Gentle an hour before their first gig, and McCartney referred to the tour as a great experience for the band. For the tour the often drummerless group secured the services of Tommy Moore, who was considerably older than the others. Soon after the tour, however, feeling the age gap was too great, Moore left the band and went back to work in a bottling factory as a forklift truck driver. Norman Chapman was the band's next drummer, but was called up for National Service a few weeks later. His departure posed a significant problem as the group's unofficial manager, Allan Williams, had arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany.

Read more

The Beatles

The Beatles were an English musical group from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are one of the most commercially successful and critically acclaimed bands in the history of popular music.

The Beatles are the best-selling musical act of all time in the United States of America, according to the Recording Industry Association of America. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one. This commercial success was repeated in many other countries: their record company, EMI, estimated that by 1985 they had sold over one billion discs and tapes worldwide. In 2004, Rolling Stone magazine ranked The Beatles #1 on its list of 100 Greatest Artists of All Time. Their innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today.

The Beatles led the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s.

Read more

Artists represented the most number of times

The artists represented the most number of times on the list are:

The Beatles
Elvis Presley
The Rolling Stones
The Beach Boys
Eric Clapton
Bob Dylan
Led Zeppelin
Michael Jackson
Robert Johnson
Bob Marley
Muddy Waters
Stevie Wonder
Neil Young
Chuck Berry
David Bowie
James Brown
The Byrds
Ray Charles
Sam Cooke
Creedence Clearwater Revival
The Drifters
Aretha Franklin
Marvin Gaye
Woody Guthrie
Jimi Hendrix
Howlin' Wolf
The Kinks
John Lennon
Lou Reed
The Miracles
Van Morrison
Pink Floyd
Otis Redding
Little Richard
Paul Simon
Bruce Springsteen
The Temptations
U2
The Who

The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll

The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll is an unordered list of 500 songs, created by the Rock and Roll Hall of Fame, that they believe have been most influential in shaping the course of rock and roll, though some of them belong to different styles even after the consolidation of rock music (like some 1980s and 1990s rap songs). It was organized by Hall of Fame museum curator James Henke who, according to the hall, "compiled the list with input from the museum’s curatorial staff and numerous rock critics and music experts." The list is part of a permanent exhibit at the museum, and was envisioned as part of the museum from its opening in 1995. The list contains songs from the 1920s through the 1990s.

read more

Rock and Roll Hall of Fame

The Rock and Roll Hall of Fame and Museum is a museum in Cleveland, Ohio, United States, dedicated to recording the history of some of the best-known and most influential artists, producers, and other people who have in some major way influenced the music industry, particularly in the area of rock and roll.

Hall of Fame
A handful of artists are inducted into the Hall of Fame in an annual induction ceremony in New York City. The first group of inductees, inducted on January 23, 1986, included Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, the Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard, and Elvis Presley.

Currently, groups or individuals are qualified for induction 25 years after the release of their first record. Nominees should have demonstrable influence and significance within the history of rock and roll. Four categories are recognized: Performers, Non-Performers, Early Influences, and since 2000, Sidemen.

Performers
Performers include singers and instrumentalists.
A nominating committee composed of music historians selects names for the Performers category, which are then voted on by roughly 1000 experts, including academics, journalists, producers, and others with music industry experience. Performers receiving the highest number of votes greater than 50% of the votes received are selected for induction; each year, about five to seven nominees make the cut.

Non-performers
Guitar sculptures outside the Rock Hall in 2004
Guitar sculptures outside the Rock Hall in 2004

Non-performers include songwriters, producers, disc jockeys, music industry executives, journalists, and other professionals.

Some notable non-performers inducted into the Hall of Fame include Sun Records founder,Sam Phillips, disc jockey and major promoter of rock and roll Alan Freed, Ronettes and Righteous Brothers producer Phil Spector, Beatles producer George Martin, Fender guitar founder Leo Fender, and Rolling Stone magazine founder and editor Jann Wenner.

Early influences
Early Influences includes artists from earlier eras, primarily country, folk, and blues, whose music inspired and influenced rock and roll artists. The most recent of this category to be inducted were Nat King Cole and Billie Holiday in 2000. Other notable artists that have been inducted as Early Influences include country musician Hank Williams, blues musician Howlin' Wolf, and jazz musician Louis Armstrong.

Sidemen
The Sidemen category includes veteran session and concert players who are selected by a large committee composed primarily of producers.

Foundation and museum


The Rock and Roll Hall of Fame Foundation was created in 1983. However, it had no home. The search committee considered several cities, including Memphis (home of Sun Studios and Stax Records), Cincinnati (home of King Records), New York, and Cleveland. Cleveland lobbied hard to be chosen, citing the facts that one-time Cleveland disc jockey Alan Freed is widely credited with promoting the new genre (and the term) of "rock and roll", and that Cleveland was the location of the first rock and roll concert. Civic leaders in Cleveland pledged $65 million in public money to fund the construction. A petition drive was signed by 600,000 fans favoring Cleveland over Memphis, and a USA Today poll which Cleveland won by 100,000 votes. The hall of fame board voted to build the museum in Cleveland.

Although there is some debate among music fans over why Cleveland ended up being chosen, most industry professionals agreed that it is because the city offered the best financial package. As Plain Dealer music critic Michael Norman noted, "It wasn't Alan Freed. It was $65 million... Cleveland wanted it here and put up the money."[1]

During early discussions on where to build the Hall of Fame and museum, the Foundation's board considered the Cuyahoga River. Ultimately, the chosen location was in downtown Cleveland by Lake Erie, just east of Cleveland Browns Stadium and the Great Lakes Science Center.

At a point in the planning phase when a financing gap existed, a proposal was made for the Rock Hall to be located in the then vacant May Company Building, but it was finally decided that Chinese architect, I. M. Pei, who is credited with such other projects as the Louvre Pyramid in Paris, France and the Bank of China Tower, would be commissioned to design a new building. Pei came up with the idea of a tower with a glass pyramid protruding from it. The museum tower was initially planned to stand 200ft high, but it had to be cut down to 162ft due to its proximity to Burke Lakefront Airport. The building's base is approximately 150,000 square feet. The groundbreaking ceremony was June 7, 1993, with Pete Townshend and Chuck Berry doing the honors. The museum opened on September 2, 1995, with the ribbon being cut by an ensemble that included Yoko Ono and Little Richard, among others.

The museum documents the entire history of rock and roll, regardless of induction status. Hall of Fame inductees are honored in a special exhibit inside the museum's spire.

There are seven levels in the building. The first through fifth levels feature many permanent and temporary exhibits documenting the history of rock and roll. Temporary exhibits display items that have only been borrowed for a short period of time, or they show films, such as 2007's temporary exhibit running George Harrison's Concert for Bangladesh. Some of the permanent exhibits include a history of audio technology, a section of mannequins donning outfits of famous performers past and present, and an area which looks at music scenes in various cities throughout different eras, including Memphis in the 50s, Detroit, Liverpool and San Francisco in the 60s, Los Angeles in the 70s, New York City and London in the 70s and 80s and Seattle in the 90s.

The third level is where the actual Hall of Fame is located and includes a wall with all of the inductees' signatures. The seventh and final level of the building is a temporary exhibit which features a certain group or artist for a period of time. It occupies the entire floor, which is the smallest since it is at the top of the pyramid. Some of the artists featured include Elvis Presley, The Who, John Lennon, U2, Bob Dylan, The Clash and The Supremes.

While the museum is located in Cleveland, the induction ceremony is held in New York City. This has been a source of controversy and signifies tension between the Foundation's commitment to a yearly showcase and the Hall of Fame itself.

A separate selection committee selects inductees directly in the Non-Performers and Early Influences category.

Criticism

The main criticism is that the nomination process is controlled by a few individuals, such as founder Jann Wenner, former foundation director Suzan Evans, and writer Dave Marsh, reflecting their tastes rather than the views of the rock world as a whole. A former member of the nominations board once said:

At one point Suzan Evans lamented the choices being made because there weren't enough big names that would sell tickets to the dinner. That was quickly remedied by dropping one of the doo-wop groups being considered in favor of a 'name' artist ... I saw how certain pioneering artists of the 50s and early 60s were shunned because there needed to be more name power on the list, resulting in 70s superstars getting in before the people who made it possible for them. Some of those pioneers still aren't in today — but Queen is.

Petitions with tens of thousands of signatures were also being ignored and some groups that were signed with certain labels or companies or were affiliated with various committee members have even been put up for nomination with no discussion at all.

Another criticism is that too many artists are inducted, allowing for several lesser acts to make it in. In fifteen years, 97 different artists have been inducted. A minimum of 50% of the vote is needed to be inducted, although the final percentages are not announced and a certain number of inductees (5 in 2007) is set before the ballots are shipped.

There are very few progressive rock bands in the hall, with Pink Floyd[4] being the only true progressive rock group inducted. This has been noted by the columnist John Sinkevics, who notes the genre has more fan backing than any other.
Letter sent to Rock and Roll Hall of Fame from the Sex Pistols
Letter sent to Rock and Roll Hall of Fame from the Sex Pistols

The Sex Pistols, inducted in 2006, refused to attend the ceremony, calling the museum a "piss stain."

2007 voting scandal allegations
On March 14, two days after the 2007 induction ceremony, Roger Friedman of FOX news published an article claiming that The Dave Clark Five should have been the fifth inductee, as they had more votes than inductee Grandmaster Flash and The Furious Five. The article went on to say "[Jann Wenner] used a technicality about the day votes were due in. In reality, The Dave Clark Five got six more votes than Grandmaster Flash. But he felt we couldn't go another year without a rap act."

The Rock & Roll Hall of Fame would later deny fixing the vote, although they didn't deny that late votes were received, saying, "No. There is a format and rules and procedure. There is a specific time when the votes have to be in, and then they are counted. The bands with the top five votes got in."

Source: wikipedia.org